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AI Doesn’t Get Guns By Peter Suciu

Artificial intelligence (AI) isn’t good at rendering firearms, and that’s probably not a bad thing, for reasons that will soon be explored. It should also be noted that while AI rendered guns isn’t good yet, it is likely to improve. That might not be a good thing either.

First, we need some background on what exactly AI is, or more accurately, what is generative AI. It has been in development for decades, but it was only in 2022 that generative AI entered the public consciousness with consumer-friendly programs.

AI rendered rifles
Where to start. There’s a LOT wrong going on here. Want to see if you can pick out the worst mistake?

Suffice it to say that generative AI, which includes OpenAI’s ChatGPT, Anthropic’s Claude, and Google Gemini, among many others, is the evolution of technology that emerged in the 1960s and is something that is now used every day, again both for good and bad.

That’s not just in how it renders firearms.

AI can create visual artwork, compose music, write papers and stories, and produce other content. Students are using it as a shortcut with homework, and anyone who has been on social media has likely seen images and videos of varying quality. With a few prompts, which are written instructions, AI can generate content that just a few years ago would have taken design teams days, even weeks to produce.

AI generated 1911 pistol
This heavily distorted AI-generated image of a 1911-style pistol shows a weirdly downsized slide assembly and a grip frame with a Luger-like grip angle.

However, there is a lot of “AI slop,” as in low-quality, mass-produced digital content that shows a lack of human effort. Such content is seemingly created — if created is really the right term — by those seeking to flood the Internet to exploit algorithms and to generate quick ad revenue on some platforms.

How AI Works

It is important to understand how AI images are generated. How “intelligent” AI actually is remains a matter of debate.

Generative AI is based on “Large Language Models” (LLMs), which are trained on massive datasets of text and code to recognize patterns. Although they can be effective at parsing data, solving logic puzzles and even summarizing lengthy documents, LLMs can also produce factually incorrect, nonsensical, or made-up information that may seem plausible.

AI generates images by “learning” patterns from billions of existing pictures and their accompanying text descriptions. This process is called diffusion. AI is very good at generating images of well-known objects, where the attributes, including dimensions, color, and other properties, are clearly described.

AI generated rifle World War II
This AI generated image was intended to show U.S. soldiers in the European Theater of World War II. However, the gear, camo and rifles are all inaccurate.

It would seem that AI, therefore, should be good at rendering firearms, but a search of social media tells a very different story. AI-generated images of firearms depict weapons that would be impossible to produce in the real world, much like the fantastical settings created by the late Dutch artist M.C. Escher.

In the case of firearms, LLMs and AI have no shortage of information to draw from, yet generative AI platforms still struggle because they lack a true 3D understanding of the underlying mechanics, resulting in nonsensical attachments, bent barrels, missing triggers, and incorrect magazine placement. AI is still treating firearms as abstract collections of shapes rather than focusing on the functional mechanisms. That has resulted in impossible geometry.

There are now Facebook Groups and Reddit subs devoted to sharing AI-generated firearm images that defy reality. Even when it gets the basics right, AI still misses some key details. Several factors are at play, but the most basic is that generate AI is based on algorithms, and many are far less “intelligent” than it might seem.

Guns And Media — It’s Never Been Accurate

It is further worth taking a step back and remembering that mainstream depictions of firearms have long been questionable. Consider firearms in comic books and video games as just two examples.

AI generated carbines in the hands of hooded men
This AI-generated image has created an interesting amalgamation of a firearm that, at first blush, looks like an AR-style rifle. However, closer examination reveals some AK-like features.

Writers of the former and developers of the latter would routinely ignore basic mechanics, notably magazine capacities and recoil, opting instead to treat firearms as versatile plot devices that are only as accurate or deadly as the story demands at any given moment.

Likewise, the World War II-based comic books of the 1960s didn’t bother to feature realistic depictions of the enemy. The Germans were often presented with big red swastikas on their helmets, carrying weapons that were not an accurate drawing of the MP-40. It was a version that fit the narrative, even if it was far from accurate.

Video games have, in recent years, gone to great lengths to get many details of modern firearms right, including the look and sound, yet other attributes are often still very wrong, notably the weight and recoil. The guns may look correct, but they way they are employed and operate is anything but accurate.

Lack of Instruction?

AI continues to struggle with firearms for some very simple reasons. There is an old saying among computer programmers: “Garbage in, garbage out,” which is the principle that the quality of a system’s output is directly linked to the quality of input. Flawed or low-quality data will produce equally flawed or useless results.

weird AI generated guns
This one is unique in that, while there are some issues with the guns themselves, the real issue is the problem with human anatomy. Can you spot it?

In the case of AI, the “garbage in” is the lack of clear instructions.

“One of the reasons that guns are not properly rendered in AI is in the details,” explained Roger Entner, founder and principal analyst at Recon Analytics. “AI is only as good as the instructions you give it.”

AI often needs more information and details than it is given. It can get the basic shapes right, but it still doesn’t understand the mechanics.

“Guns are such intricate tools, with minuscule differences that are huge,” Entner told The Armory Life. “Gun owners may know these things so intricately, but AI does not.”

That is a key point to consider. There is already massive confusion in the mainstream consciousness about the differences between a commercial AR-15 and the military M16, so how can we expect AI to know better?

AI doesn’t just fall short with firearms, but all sorts of things.

“AI isn’t good at depicting a Cadillac XTS from a Chevrolet Malibu,” said Entner.

There is also the issue of bias, and it is firearm enthusiasts who are likely to notice the rendering problems of AI when it comes to guns.

“AI really does render firearms poorly. Many details range from implausible to outright wrong. But in perspective, AI renders many objects poorly,” noted Dr. Jim Purtilo, associate professor of computer science at the University of Maryland.

“If someone in the firearm community notices it with guns more than with other objects, then this could well be another example of a selective attention bias, which is where people with a decided interest in a given object will be much more inclined to notice when details are wrong. Show a young man the photo of a pretty young girl, and he will never notice what is in the background. ‘What monster?’”

Such a selective attention bias has cropped up in cinema for years.

“Show an old war movie and the gun enthusiast will complain, ‘that’s not a rifle they used,’ the history aficionado will say, ‘that’s not how it happened,’ and the linguists will lament that characters used words that didn’t become common until the modern era. This illustrates our biases,” Purtilo told The Armory Life.

Still, the implausible images result from how AI generates them today. There is ample data on firearm attributes, but few descriptions of how everything connects. AI’s LLMs make a best guess, often with comedic results.

DaVinci AI for gun image generation
The generative AI program known as DaVinci created this sci-fi-looking firearm when prompted to generate “a modern rifle.” It went all-in with a carbon fiber frame and a green accents.

“Pictures are tougher for AI than we understand,” added Entner. “Generic descriptions of something to AI will generate a generic description. It is like asking a five-year-old to draw a Single Action Colt.”

AI is thus like a child, and it may not provide all the details unless pressed. Even then, it may not fully appreciate how things go together without further explanation.

“Said simply, the program is averaging all the details of its training images when deciding which features to include,” said Purtilo. “It might know that a firearm has sights, a shoulder stock, and attachments, but it doesn’t know how these details might depend on one another.

The average sight across all the images it analyzed might have been a scope, the average stock might have a pistol grip, and the average attachment might be a laser pointer — and that is how it gives you a Revolutionary War musket with pistol grip, high power optic, and laser pointer.”

The Barriers of AI

The current technical barriers are just one of the main reasons that AI is bad at rendering firearms. The other is policy. AI developers are already cautious about how AI can be used.

“On the technical side, guns are complex objects with very specific features. Because they are so specific and have many parts that can be rendered incorrectly, it’s easy for a human to identify them as incorrect, as AI is not good at replicating specific weapons,” said Dr. Cliff Lampe, professor of information and associate dean for academic affairs in the School of Information at the University of Michigan.

AI generated assault rifle
This image shows what first appears to be a FAL-style rifle, but with some confusing characteristics regarding the top rail, handguard, magazine and barrel throwing things off.

Lampe, who focuses on the study of misinformation in media, told The Armory Life that the policy reason is that many models specifically list firearms as a type of object to render poorly.

“You can imagine, for instance, that you don’t want to be able to have GenAI [generative artificial intelligence] create specific schematics for firearms. Different models may have different thresholds here as a matter of policy, but all of them will have some safety restrictions built in,” Lampe noted.

Microsoft’s Copilot and ChatGPT are now among the generative AI platforms that won’t even render a firearm if requested. Copilot won’t even render soldiers holding firearms. However, because of the rise in “AI slop,” it may be a good thing that AI can’t generate extremely accurate firearms in videos. No manufacturer would be happy to see their product — a car, gun, or something else — used irresponsibly in an AI-generated video.

For now, we may need to accept that AI doesn’t do guns well, just as comic writers and video game developers missed the mark in the past.

“I don’t know whether AI is more likely to generate silliness with firearms than other objects. But if so, then this may well reflect a selection bias in training materials,” Purtilo continued. “AI models are trained by ingesting a huge volume of raw content. The companies scrape pages from websites, books, social media, and more for this purpose.”

As Lampe noted, there is also the issue of policies that restrict many sites from including firearm images, which could impact how AI learns.

“This limits what material AI has for training,” said Purtilo. “If you can’t depict safe and responsible firearm use on the web, then no AI will be able to render images with safe and responsible use of firearms. Whatever it generates will be inherently gibberish.”

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The state’s stealthy strangling of TCW By David Keighley

IN HER role as editor of TCW, Kathy Gyngell did what British journalism has fought to do since John Wilkes and the North Briton; with leonine grit and courage she upheld freedom.

For 12 years, seven days a week, she made sure dissent was heard. She built TCW into one of the few places in Britain where the official story could still be challenged without apology. Lockdown. Vaccines. The BBC. Mass immigration. Net Zero. The degradation of childhood. The assault on the family. The collapse of policing. The cowardice of the Conservative and Labour parties. The long march of the managerial state. TCW took them on when most of the press was either asleep, captured or afraid.

That is why it had to be killed.

No minister announced the closure of TCW. No censor put a seal on Kathy’s office door. The British state is too slippery for that. It does not usually ban dissent outright. It smothers it through the pipes: advertising, mobile access, social media, search, platform rules, ‘brand safety’, ‘online safety’, ‘media literacy’ and the ever-ready smear of ‘misinformation’.

This is the new censorship. It does not argue. It obstructs. It does not defeat you in public or by debate. It makes you harder to find, harder to fund, harder to share and harder to trust. That is what happened to TCW.

The site was banned by online ad agencies. It was hit by Facebook during lockdown. Kathy was thrown off Twitter, along with vaccine-injured people whose testimony threatened the official covid narrative. The site was blocked on mobile phones for months after being caught by the British Board of Film Classification’s filtering regime. Readers trying to reach a lawful conservative website were obstructed as though they were looking for filth.

A serious daily website needs oxygen. It needs readers, advertisers, links, shares, search, mobile access, payment routes, donors and confidence. Break those routes and the publication bleeds. The state does not need to prosecute it. The platforms do not need to admit censorship. The advertisers do not need to explain themselves. Everyone hides behind process. Everyone says they are enforcing rules. Everyone claims clean hands.

Then the site dies, and the same people say, ‘Nothing to do with us.’ That is a lie.

TCW is closing as a daily site because the British state and its allies have made honest dissent increasingly impossible to sustain. The cowardice began under a Conservative government.

During covid, lawful doubt was treated as a public danger. Citizens who questioned lockdowns, masks, vaccine mandates, school closures and the destruction of livelihoods were smeared as cranks or extremists. Platforms were encouraged to police opinion. The MSM supinely obeyed.

The BBC was, as usual, complicit. Conservative ministers talked about liberty while presiding over one of the greatest assaults on free speech in modern British history.

Then the Tories put the machinery on the statute book.

The Online Safety Act was driven through under a Conservative government and received Royal Assent in October 2023. The Act passed into law on October 26, 2023, and made Ofcom responsible for implementing the new online safety regime.

It was sold as ‘protection for children’. In reality, it created a vast regulatory structure for online speech and made Ofcom the policeman of the internet. Platforms were pushed into permanent risk-avoidance. Lawful speech became a compliance problem. ‘Safety’ became the master word. Once that word rules, freedom withers. Free speech has never been ‘safe’.

This was one of the great betrayals of modern Conservatism. The party that should have defended liberty built the legal runway for censorship. It handed power to Ofcom, trained platforms to fear liability, and wrapped the whole operation in the language of harm prevention.

The result was predictable. Companies do not defend free speech when regulators are watching. They protect themselves. They over-remove, over-block, over-filter and over-comply.

That is how dissent gets buried.

The same Act reinforced Ofcom’s media literacy role. That matters. Media literacy sounds harmless. It is not harmless when the regulator, the Government, public broadcasters and tech platforms are all marching in the same direction. It becomes the polite name for teaching the public which sources to trust and which to distrust.

This is the bridge to the next phase. First the state regulates platforms in the name of safety. Then it works with broadcasters, tech companies, charities and public bodies to shape what citizens are taught to regard as reliable. Then it proposes to promote ‘trusted news’ above rival voices.

That is the censorship escalator. Labour is now riding it with enthusiasm.

The Department for Science, Innovation and Technology’s 2026-2029 Media Literacy Action Plan, A Safe, Informed Digital Nation, dresses control in the language of confidence, safety, critical thinking and resilience. Published on March 16, 2026, it sets out the steps departments across government are taking to strengthen media literacy over the next three years, including helping people ‘think critically about online content’ and ‘find trustworthy information’. The state wants to shape how citizens consume information online. It says it wants people to find trustworthy information. That sounds innocent until you ask the only question that matters: trustworthy according to whom?

The Department for Culture, Media and Sport has gone further. Its Green Paper, Watch this space: a new strategic direction for UK media, proposes a new media literacy duty for public service media. Published on June 23, 2026, it sets out a new strategic direction for Government media policy and sits alongside plans to improve access to ‘reliable news sources’ online. The BBC, ITV, Channel 4 and others would not merely produce programmes. They would help train the public in how to judge information.

That means the same broadcasters whose failures TCW exposed would be enlisted as guardians of public understanding.

The Government is also considering forcing platforms such as Facebook, YouTube and TikTok to give greater prominence to ‘trusted news’ providers, including the BBC, ITV and Channel 4. Reuters reported on June 22, 2026, that the proposal would require social media platforms to prioritise content from trusted news providers as part of the fight against misinformation. That proposal tells us exactly where this is going. The state will bless approved sources. Platforms will push them. Rival voices will be downgraded, distrusted or buried.

Ofcom’s little-known Making Sense of Media programme fits into the same scheme. Ofcom wants media literacy to become ‘everyone’s business’. It works with broadcasters, platforms, charities, local bodies and other organisations with public reach. It presents this as education. In reality it helps build a national information network in which the state, the regulator, public broadcasters, tech companies and approved civil society all pull in the same direction.

Do not be fooled by the language. This is not about helping vulnerable people spot email scams. It is about power.

The state wants to decide which sources are trusted. It wants the BBC and other approved broadcasters to instruct the public in how to judge information. It wants platforms to promote the right voices. It wants regulators to organise the field. It wants dissent managed before it becomes politically dangerous to their interests.

‘Misinformation’ is the weapon.

During covid, that word was used to silence questions which later proved legitimate. On lockdown, vaccine harms, school closures, masks, mandates, excess deaths and the origins of the virus, dissenters were attacked before the evidence was in. The same word is now used against those who challenge Net Zero, illegal immigration, gender ideology, two-tier policing, grooming gangs, Islamism, the BBC and the failures of the British state.

Call something misinformation and the work is half done. Advertisers panic. Platforms throttle. Donors hesitate. Investors vanish. Readers are warned off. A lawful opinion becomes a reputational hazard.

TCW lived through this before the system was fully formed. It can now be seen as a test case in practical censorship. It showed how a lawful dissenting publication can be worn down without ever being formally banned.

The Conservative government built the first serious machinery. Labour is now putting a sharper blade on it. This is why TCW’s closure matters. It is not just the end of a website. It is a warning about Britain.

A country with a free press does not need the state to define trusted news. A free people do not need Ofcom, DSIT, DCMS, the BBC, Google and Meta to teach them how to think. A democracy does not protect itself by privileging approved voices and starving the rest.

Kathy Gyngell and TCW did more for public debate than half the subsidised, self-regarding, award-winning media class put together. They kept the argument alive when argument itself was being recast as harm.

For 12 years, Kathy kept open a space where writers could say what the respectable press would not say. She did not have a wealthy institution behind her. She did not enjoy the protection given to fashionable magazines of approved dissent. She did not flatter the establishment. She did not launder conservative defeat as sophistication. She did not pretend that Britain’s governing class had merely made a few mistakes. She saw the rot and published those willing to name it.

That is why readers trusted TCW. It did not ask permission. It did not trim its sails to please donors. It did not become the safe, neutered, decorative conservatism the establishment can tolerate. It published through smears, bans, blocks, abuse, financial strain and institutional contempt.

The closure of TCW as a daily site should shame every politician who claims to care about free speech. It should shame Conservative MPs who cheered or tolerated the Online Safety Act. It should shame ministers who mouthed support for liberty while online dissent was being throttled. It should shame the broadcasters who now expect to be treated as ‘trusted news’ while they helped create the climate in which dissenting outlets were cast as dangerous.

The fight will continue on Substack. The archive will remain. The network will endure. But do not soften the meaning of this moment.

A heroine of free speech has been forced to retreat from a platform she built by steely resolve and courage because Britain’s censorship state has made the cost of dissent too high.

TCW was not defeated. It was starved of oxygen by people who could not answer it.

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