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All About Guns This great Nation & Its People War

The Guns of the American Revolution Contrary to popular perception, the American Revolution wasn’t all muskets, bayonets and Mel Gibson running around with a tomahawk. by Evan Brune, Executive Editor

Guns of the American Revolution Illustration
Illustration by Don Troiani

I have a love-hate relationship with Mel Gibson’s film, “The Patriot.” On the one hand, it’s a highly entertaining movie about a topic virtually untouched by Hollywood. On the other, the movie is so replete with historical inaccuracies that one viewing is enough to send even the moderately educated history enthusiast into violent, mouth-frothing convulsions.

But, the simple fact is that “The Patriot” is likely representative of the general view of the American Revolution. Though Americans live, work and play in a nation that directly resulted from the events of 1776 and beyond, 250 years removed, the actual details of who fought, how they fought and the guns with which they armed themselves are generally lost to all but a few die-hard historians. For most Americans, their view of the fighting in North America is largely an abstraction, even a caricature of real events.

American militiamen

American militiamen, from the beginning of the Revolution, were armed with a hodge-podge of firearms. Illustrations courtesy Don Troiani

Like the ideals that underpinned the revolution, the fighting between the British army and the nascent American military was the result of an ongoing evolution. But beyond the ideas about liberty and self- determination, this was an evolution in the kinds of arms being employed on the battlefield, as well as the tactics that governed their use. As we recognize and celebrate the men who fought and died to build this country, it’s important to understand exactly how they fought and the arms they used as they forged a new nation.

The Old World: By Musket and Push of Bayonet
One of the most memorable scenes in “The Patriot” shows Benjamin Martin, the lead character played by Mel Gibson, staring out the window of a plantation house and observing a set-piece battle between the British and Continental armies in an adjoining field. Predictably, the automaton-like mass of British infantry marches in perfect lockstep toward the poor bastards in blue. Finally, they halt at a suicidally close distance and, after absorbing hilariously ineffective scattered fire from the amateurish Americans, proceed to unleash volleys and clumsy bayonet charges to sweep away the upstart colonials. Martin states the obvious: “Going muzzle-to-muzzle with Redcoats in an open field. It’s madness.”

Yeah, it didn’t really happen like that, and if it did, it would be madness. While it is true that linear tactics generally governed 18th-century warfare, the reality of what many engagements looked like is a lot different than you might imagine, and it certainly didn’t look like the scene in “The Patriot.” Recent research indicates that combat in the 18th century occurred at much longer ranges than “muzzle-to-muzzle.” During the Seven Years War, combat usually occurred between 100 to 200 yards, with many firefights breaking out at longer distances, particularly when inexperienced troops were involved. Historian Alex Burns notes that, to military men of the age, the phrase “within musket shot” was generally understood to be a distance of about 300 yards.

Battle of Long Island in 1776

During the Battle of Long Island in 1776, Capt. Samuel Smith led his Maryland riflemen away from disaster as the British overwhelmed American troops.

The typical military firearm used in these conflicts was a smoothbore, flintlock musket with a barrel length roughly 3.5 feet long and a bore size ranging from .69 to .80 caliber. Muzzles were exposed and outfitted with a lug to mount a long, tapered, triangular bayonet that remained a singularly important tool on the 18th-century battlefield, particularly for the British army. Paper-wrapped cartridges containing powder and ball were issued to soldiers, usually with a single round ball of significantly smaller diameter than the bore to accommodate for the variance in bore sizes, as well as the buildup of black-powder fouling that would inevitably arise from repeated firing. This is a phenomenon known to black-powder shooters as “windage,” defined as the space between the outside of the musket ball and the interior of a musket bore. The greater the windage, the more inaccurate the musket shot.

In terms of the practical accuracy of such arms, one could not reasonably expect to hit a man-sized target at distances of more than 80 to 100 yards with any certainty. Given this, you might wonder how 18th-century armies expected their soldiers to hit anyone if they ordered their troops to open fire at distances far greater than the practical accuracy of their military longarms. The answer is that, until the mid-18th century, individual marksmanship in a military context was generally considered superfluous. In a modern analogy, the infantry regiment of the 18th century functioned, essentially, as a large, single-shot shotgun. A musket ball fired by one soldier toward a host of other troops was likely to find its mark somewhere, even if that mark wasn’t the aim of the soldier who fired the ball.

For these sorts of tactics, a certain style of military longarm began to emerge, first standardized in the 1720s. For the British army, this was the King’s Land Pattern musket, more commonly known as the Brown Bess. The earliest of these guns were behemoths, with bore sizes approaching .80 caliber, 46-inch barrels and thick stocks that made them the Mack trucks of 18th-century muskets. But, by the time of the revolution, a new pattern of British military longarm emerged to serve a new kind of infantryman.

The Short Land Pattern musket, sometimes referred to as the Pattern 1769, was equipped with a shortened 42-inch, .75-caliber barrel compared with the longer, heavier service muskets that had existed for decades, known henceforth as the Long Land Pattern. These guns were handier while still having enough length to fire in ranks.

The shortened length made them useful for a new class of light infantry, a development of British military doctrine directly influenced by its experience in North American warfare. Instead of fighting and firing in rigid ranks, light infantrymen were more mobile, flexible and expected to operate on their own initiative.

Men in light infantry units were chosen specifically for their intelligence and their resourcefulness, and they would fight singly, using cover and concealment while taking carefully aimed shots and maximizing the limited capabilities of their smoothbore infantry muskets.

It is these men that American militiamen would encounter on the fields outside Boston as the cold war between Britain and her colonies turned hot in April of 1775, and they would continue to encounter flexible, enterprising infantrymen as the conflict in North America churned into full-scale war.

Arming for the American Cause
While Great Britain standardized its arms in the 1720s, across the English Channel, the French army was similarly situated in the early part of the 18th century and embarked on a similar movement of standardization designed to improve its military readiness. Early patterns of muskets emerged in 1717 and 1728, but, by the end of the Seven Years War, a new design materialized that would become a de facto standard not just for the French military, but also for the nascent American nation.

For the French, it was the fusil d’infanterie modele 1763, later updated in 1766 and now known to collectors as the Model 1763/66. But for American troops who would later be equipped with thousands of such arms, it became simply the “Charleville” musket, so named for the Charleville-Mézières armory in the Ardennes, where many were produced. By 1777, France would begin sending tens of thousands of older-pattern Charleville muskets from its stores to equip the fledgling Continental Army, and by war’s end, the Charleville musket would become the standard longarm for the American military.

unique firearms, ranging from smoothbore flintlock fowlers

The American Revolution saw the use of a number of unique firearms, ranging from smoothbore flintlock fowlers (1) to the quintessential American longrifle (2). Continental troops would eventually be equipped with Charleville muskets (3), while select British and Hessian troops experimented with designs like the Ferguson breechloader (4), the Pattern 1776 (5) and the German Jäger (6).

But, at the beginning of the conflict, American armament was far from standard. Much of what equipped the militia and the first Continental troops were the disparate civilian smoothbores of the day. One such arm commonly found in New England and the coastal mid-Atlantic colonies was the fowler, a smoothbore, flintlock longarm typified by what was often an extraordinarily long barrel, in some cases exceeding 50 inches, with a bore size ranging from .62 to .80 caliber, or in shotgunning parlance, from about 20 gauge to 10 gauge.

Named for its primary application as a hunting arm, the larger bore size accommodated birdshot, as well as larger buckshot, buck-and-ball and solitary musket ball loads. Its larger bore size and smoothbore construction also meant these guns were capable of accepting the paper cartridges often employed with infantry muskets. A lack of rifling meant fowlers could be loaded with the same rapidity as a military musket, making them suitable for militia use.

private of the 5th Foot

This private of the 5th Foot illustrates the movement and initiative expected of the British light infantry, who fought individually.

However, as versatile as the American fowler was, it wasn’t without drawbacks. Logistically, the need to keep thousands of men supplied with ammunition was greatly complicated by the fact that these guns often had differently sized bores and locks, requiring different sized musket balls, paper cartridges and flints.

The need for a somewhat standardized longarm for a prolonged conflict gave rise to a new class of arm that we still struggle to understand: the “Committee of Safety” musket.

In the run-up to the American Revolution, Committees of Safety directed the stockpiling of arms, ammunition and accessories that would become necessary in the event of a shooting war. These groups often directed local gunsmiths to produce military-style longarms, patterned after then-issued British military muskets, that could be used to equip militia units. This was easier said than done.

Many civilian leaders in the American colonies still earnestly hoped that a peaceful resolution could be reached with Great Britain. In this tenuous period, those who produced masses of arms for the ultimate purpose of equipping rebels in a future conflict were, in effect, committing active treason. Given that fact, such activities were so clandestine that little evidence survives detailing who produced such guns and in what quantities.

Today, few verifiable Committee of Safety muskets survive with any sort of rock-solid provenance. However, many longarms exist with the kinds of features that suggest they could have been produced in such circumstances and remain a testament not only to the resolve of American colonists determined to forge their own destinies, but also to the capabilities of domestic gunsmiths across the colonies, thousands of whom would play a role in building and servicing small arms throughout the course of the American Revolution.

Hessian troops

At the outset of the American Revolution, King George III called for 30,000 Hessian troops, and several thousand were equipped with accurate, handy Jäger carbines. Illustrations courtesy Don Troiani

Rifles of the Revolution
Often imbued with downright mythological capabilities, the vaunted American longrifle had several notable features born of the needs of settlers and frontiersmen who lived and worked for long periods away from any supply source. Its distinctive long barrel served two purposes: It provided enough room to maximize the slow burn of black powder, allowing riflemen to make the most of a meager charge of what was likely lower-quality powder, and it offered a lengthened sight radius for longer, more precise shots. Instead of the .60- to .70-caliber bore sizes often seen on the German Jägers that inspired their creation, American rifles generally had bores of .50 caliber or smaller. This allowed riflemen to carry more ammunition for the same given weight. A smaller projectile also required less powder, further maximizing their powder supply.

Despite these advantages, longrifles had one significant drawback compared to smoothbore guns of the era: reloading time. To ensure an accurate, precise shot, longrifles had to be slowly and methodically loaded with a tightly patched ball that would be pressed into the rifling as it traveled down the bore. Consequently, rates of fire for longrifles averaged about one shot per minute, compared with the three shots a minute for a contemporary military musket loaded with paper cartridges. For a frontiersman taking a solitary shot on game, reloading time was not a significant consideration. On the 18th-century battlefield, this drawback would have serious ramifications.

Gen. Israel Putnam

Gen. Israel Putnam led a company of Maryland riflemen into battle at Harlem Heights in 1776, including the famous “Maryland 400” clad in purple hunting shirts.

The American longrifle design was largely derived from the German Jäger rifle, which also appeared in the American Revolution. Barrel rifling as a practice likely emerged in what is now modern Germany in the early 16th century, and by the mid-to-late 17th century, a style of short hunting rifle had materialized that was closely associated with those who employed them, so much so that the German word for “hunter” has been inextricably linked with this particular pattern of longarm.

King George III called for 30,000 Hessian mercenaries to quell the American rebellion, and several thousand of those troops were elite marksmen who employed the Jägerbüchse to great effect. In the disastrous August 1776 battles fought on Long Island, rifle-equipped Hessians swept away American troops from several positions, illustrating the impact that well-aimed fire could have on the battlefield.

In the same year that German Jäger units illustrated their prowess outside New York City, the British military, fearful that longrifle-wielding Americans might have an outsized impact on the course of the conflict, began issuing its first-ever military rifle: the Pattern 1776.

Patrick Ferguson’s company

Patrick Ferguson’s company of riflemen employed their novel breechloaders for only a short time.

Ultimately, 1,000 Pattern 1776 rifles, 200 of which were Hanoverian designs produced in Germany, were taken into British service during the American Revolution. Of .62 caliber and having a 28-inch swamped barrel, the Pattern 1776 was an incredibly handy firearm for the era, weighing a relatively svelte 8.5 pounds compared with the 10-pound infantry musket employed by most troops. One of only two rifles in British military history designed for simultaneous use by both infantry and mounted units, the rifle employed a captured ramrod that was affixed to the gun by two opposing swivels, ensuring that cavalrymen couldn’t lose their ramrod when reloading on horseback.

Concurrently, British Army Maj. Patrick Ferguson successfully lobbied for the British military to employ his novel rifle design on a trial basis, following a successful demonstration for senior officers on April 27, 1776, during which he fired “five good shots into a target in the space of a minute.” His rapid, accurate fire was aided by the fact that Ferguson’s rifle did not require muzzleloading.

Instead, the trigger guard formed a handle for a large, vertically oriented screw that served as the breech of the gun, and it could be opened and closed with a single revolution of the trigger guard. When opened, a rifleman simply inserted a projectile and the requisite amount of powder, then turned the breech closed, primed and fired. It offered the rapid fire of a musket with the accuracy of a rifle and was a truly revolutionary design for the British military, albeit inspired by advancements from earlier gunmakers.

Pattern 1776 rifle

The 4th division of Ferguson’s American Volunteers operated in pairs, one firing a Pattern 1776 rifle and the other using a Brown Bess musket.

Ferguson was given command of a company of riflemen, each equipped with his breechloading rifle, and they set sail for America in March 1777. By June, they were engaged in battle, acting as scouts and skirmishers for Gen. Wilhelm von Knyphausen during the fight for Philadelphia. At the Battle of Brandywine in September 1777, Ferguson was badly wounded in the arm and required a year to recover. During this time, his experimental company was disbanded, with the men returning to their original units.

Ferguson himself returned to combat in 1778, but was soon killed in South Carolina at the Battle of King’s Mountain, ironically by longrifle-wielding Americans. Any hopes of resurrecting a British rifle corps during the American Revolution expired with him. Of the 100 Ferguson rifles that came to North America, only two survive today. But Ferguson’s rifle, along with the Pattern 1776 and the employment of German Jägers, provided a proof of concept that would inspire a new generation of riflemen and military leaders.

While the outcome of the American Revolution was governed more by politics than it was by American feats of arms, the battlefields of North America from 1775 to 1783 nonetheless served as a proving ground for several new styles of military longarms. Over the coming decades, these lessons would coalesce into greater concepts, resulting in the development and employment of rifles on a wider basis. For the field of military small arms, as well as the future of human liberty, the rebellion in the New World was a revolution in more ways than one.

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A Victory! This great Nation & Its People

Berlin Candy Bomber in the Berlin Airlift By Friedrich Seiltgen

U.S. Air Force Colonel Gail Seymour Halvorsen was a transport pilot best known as the “Candy Bomber” or “Onkel Wiggly Wings,” who became famous for dropping candy to German children in Berlin during the Soviet Blockade of the city.

Following Germany’s defeat in World War II, the victorious powers divided the country into four occupation zones. The United States, Great Britain, France and the Soviet Union each got a piece of the Third Reich. The conditions on the ground were horrible. Commodities were scarce, and Berlin was in ruins. There was no coherent plan on what to do with Germany now that the war was over.

Allied planes deliver food to people trapped by Soviet Union communism
During the Berlin Airlift, U.S., British and French planes delivered food to Berlin, which was blockaded by Soviet forces. Here, German children stand on a hillside, watching a U.S. plane fly overhead. Image: Henry Ries/U.S.A.F.

On January 1, 1947, the U.S. and British sectors were unified, and in June, the announcement of the Marshall Plan to rebuild Germany further angered the Soviets. In early 1948, the Allied powers met to draw up a secret plan to form a new German state from the Allied-controlled sectors, and introduce a new Deutsche Mark, designed to take economic control from the Soviets as well as shut down a thriving black market. When the Soviet Union found out, they created the Ostmark. As relations between the countries worsened, something had to give.

Berlin Blockade

On June 24, 1948, the Berlin Blockade began when Soviet forces shut down road, rail and access to water to areas that were Allied-controlled, potentially reigniting World War II.

Lt Gail Halvorsen greet children of West Berlin
Lt. Gail Halvorsen greets children of isolated West Berlin sometime during 1948-49 after dropping candy bars. Image: U.S.A.F.

After the war, the drawdown of Allied forces left them severely outnumbered by the Soviets. The Truman administration decided that the only alternative was to use air assets in an unarmed humanitarian effort to supply the 2.5 million citizens of Berlin.

Operation Vittles

On June 26, 1948, the U.S. launched Operation Vittles, and Great Britain followed two days later. The Soviets offered to stop the blockade in exchange for the removal of the Deutschmark from the West. The Allies refused, and the U.S. stationed B-29 bombers in the United Kingdom.

C-47 Skytrain cargo planes unload food and other goods at Tempelhof Airport during Berlin Airlift
C-47 Skytrain cargo planes unloading at Tempelhof Airport during the Berlin Airlift. Image: National Museum of the U.S.A.F.

The Airlift proved successful, and by spring 1949, cargo aircraft were landing every 45 seconds at Tempelhof airport.

Operation Little Vittles

Gail Halvorsen earned his pilot’s license in 1941 by graduating from the civilian Pilot Training Program, and shortly after joined the Civil Air Patrol. In May 1942, he enlisted in the United States Army Air Forces and was stationed in Miami, Oklahoma, for Pilot Training. He spent the war ferrying aircraft to England, Italy and North Africa.

C-54 cargo planes in snow at Wiesbaden Air Base during Berlin Airlift
Douglas C-54 Skymaster transport planes stand out against the snow at Wiesbaden Air Base during the Berlin Airlift in the Winter of 1948–49. Image U.S. Army

After World War II, he was assigned to Brookley Air Force Base in Mobile, Alabama. On July 10, 1948, Lt. Halverson was ordered to duty in Germany and given one hour to pack up. He was assigned to the 7350th Air Base Group, 17th Military Air Transport Squadron (MATS) at Tempelhof Airport for Berlin Airlift duty. Initially, there were not enough transports, so Halverson flew three C-54 cargo missions daily into Berlin over Soviet controlled areas.

When not flying, Halverson would venture out with his movie camera and film throughout the city. One day, he was filming aircraft operations at Tempelhof and saw a group of children lined up along the fence line.

The children thanked him for the supplies the U.S. was bringing in and asked that no matter what, the Americans not abandon the airlift when the weather turned bad. The children told Halvorsen they could go without enough food for a bit, but ‘if we lose our freedom, we may never get it back.”

Seeing these children with nothing but the clothes on their backs touched him, and he gave them a couple of pieces of chewing gum he had with him. The kids broke up the gum and shared it as best they could. The kinder, without any gum, took to sniffing the wrappers.

After seeing this, Halverson told them he’d be back tomorrow with more candy and would drop it out of his plane! When the kids asked how they would know it was his plane, Halverson told them he would wiggle his wings to let them know it was him.

That evening, Halverson and his co-pilot and flight engineer pooled their candy rations for a drop. The candy was heavy, and he didn’t want anybody getting hurt, so he fashioned three parachutes out of handkerchiefs. During their morning supply run, the crew dropped their candy once a week for three weeks. Halverson noticed the number of children at the fence line increased each week.

Lt Gail Halvorsen preparing candy chutes
U.S. Air Force pilot Gail Halvorsen, who pioneered the idea of dropping candy bars and bubble gum with handmade miniature parachutes. This later became known as “Operation Little Vittles.” Image: U.S.A.F

When the Tempelhof airlift commander, General William Tunner, learned of their candy drops, he initially reprimanded Halverson. However, as the media got wind of it, he ordered them expanded, and on September 28, 1949, Operation Little Vittles was officially established.

Support grew throughout the squadron, and when the news reached the U.S., candy manufacturers began shipping their products for the operation. More support came from the states as volunteers began sewing and constructing parachutes.

Now, with the help of other pilots, candy drops were occurring every other day, and the children were writing letters and drawing pictures of the candy bombers for the pilots at Tempelhof.

In May 1949, realizing the blockade was hopeless, the Soviets lifted it. A few weeks prior, NATO was formed. A few weeks after the blockade ended, West Germany was established.

Lt Gail Halvorsen greets children of West Berlin
Lt. Gail Halvorsen greets children of West Berlin. In the years after the Berlin Blockade, Halvorsen attended the University of Florida and became an aeronautical engineer.

With the blockade ended, Halvorsen returned to the United States, married, and raised a family. He considered leaving the Air Force but was offered a permanent commission. Halverson attended the University of Florida, earning both a Bachelor’s and a Master’s degree in Aeronautical Engineering.

He went on to Wright-Patterson AFB as a project engineer for cargo aircraft. Assignments to Air Command and Staff College in Alabama, Air Force Systems Command in Wiesbaden, and in February 1970, he returned to Tempelhof as the commander of the 7350th Air Base Group.

Candy Bomber Legacy

Halverson received accolades for several projects and humanitarian work he was involved with, and the newly designed USAF Halverson Cargo loader was named in his honor.

Lt Gail Halverson with a C-54 Skymaster at Pima AIr and Space Museum
Col. Gail Halverson with a Douglas C-54 Skymaster at the Pima Air and Space Museum. Image: U.S.A.F.

Of all that he accomplished, his “Little Vittles” had the most impact. It is estimated that the Candy Bombers of Operation Little Vittles dropped over 23 tons of candy using 250,000 parachutes. As one young Berliner told him, “It wasn’t just chocolate; it was hope.”

Halvorsen passed away in 2022 at the age of 101.

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All About Guns Art Real men This great Nation & Its People

Cimarron Tom Horn Winchester 1876 Review A Review of Cimarron’s 1876 Centennial “Tom Horn” Lever-Action Rifle in .45-60. Plus, an Interview with Actor and Friend of Steve McQueen, Mel Novak!

Cimarron Tom Horn Winchester 1876 Review
The Cimarron 1876 Centennial “Tom Horn” Rifle chambered in .45-60 is the ultimate addition to any western gun collection. Cimarron, and their affiliate company Texas Jack (TexasJacks.com), also offer other western-style guns and accessories like this Remington 1890 replica revolver which is the same type that was carried by Tom Horn ($624.48), Tom Horn hat ($514.00), and replica ammunition box ($6.30). (Photo by Mike Anschuetz)

Spoiler alert — You know the deal. You’ve been warned. Tom Horn was Steve McQueen’s penultimate film. Based upon a true story, the movie’s eponymous central character is a brooding loner with a dark past whose sense of frontier morality puts him in conflict with the progressive social ideals of the day.

In many ways Tom Horn is actually Steve McQueen and vice versa. The two men experienced tremendous hardship and tragedy but ultimately faced the end at peace.

The film Tom Horn is as much about a rifle as a man. While not necessarily historically accurate, the film narrative orbits around Tom’s unique Winchester. A massive Model 1876 chambered in .45-60, the unusual particulars of this weapon ultimately condemn Horn to death.

Cimarron Tom Horn Winchester 1876

The plot of the movie Tom Horn turns on the character’s Model 1876 Winchester. This unusual rifle and the rare cartridge it fired ultimately tied McQueen’s character to a murder he did not commit.

Most historians state that the real Tom Horn’s rifle of choice was a .30-30 Winchester, likely a Model 1892.

However, many historians claim that Horn did own a Winchester Model 1876 rifle and a recent discovery of a Winchester 1876 rifle, chambered in .45-60, which was acquired from a museum many decades ago, is now believed to have been owned by Tom Horn.

Some of the evidence includes a sling with “JC Coble, Bolser, Wyoming” carved on it — John Coble was the employer of Tom Horn.

Colbel also paid for Horn’s funereal costs and had a book published about Horn’s life. A cleaning rod found with the rifle was wrapped with an envelope which had the lyrics of Life’s Railway to Heaven written on it, a song sung at Tom Horn’s funeral.

The song was written by Glendolene M. Kimmell, a schoolteacher that Horn was romantically connected with. Did Horn stash the rifle with his girlfriend? Was it used in the murder Horn was convicted of? Did someone else use his rifle? There are still questions unanswered.

Adding more confusion to the riddle is the fact that Horn had three rounds of ammunition on him when he was arrested: a .38-40, a .30-40 Government, and a .45-60 (this was in addition to his .30-30 rifle and ammunition).

In any case, the Winchester 1876 used in the film has a great deal more character than a Model 1892. Cimarron offers a beautiful spot-on replica of this very rifle chambered in the quirky but powerful .45-60 cartridge.

The Gun

The Model 1876 Winchester was called the Centennial Model as it was released coincident with the American Centennial Exposition. Where the previous Models 1866 and 1873 were chambered for pistol cartridges, the beefed-up Model 1876 was designed to handle the big game rounds of the day.

Cimarron Tom Horn Winchester 1876
The Cimarron Model 1876 Winchester in .45-60 is shown along-side a vintage original 19th century Model 1873 chambered for the .44-40 pistol round. The differences between the two actions are obvious.

Winchester produced four versions of the 1876 in at least three different chamberings. The Carbine sported a 22-inch barrel, the Express Rifle had a 26-inch tube, and the Sporting Rifle reached out 28 inches. The Musket had a massive 32-inch barrel, before the Model 1886 supplanted it the production run totaled 63,871 copies.

Oliver Winchester was a master marketer. His standard rifles had a blued finish, while the deluxe variants were casehardened. Winchester also offered his famous One of One Hundred and One of One Thousand grades, seven of the former and fifty-four of the latter. The Model 1876 chambered for .50-95 Express was the only lever action rifle to see widespread service among buffalo hunters.

The Canadian North-West Mounted Police bought 750 Model 1876 guns in .45-75 in 1883. The Texas Rangers used the same rifle. President Theodore Roosevelt used a Model 1876 on some of his hunting forays out West and raved about it. Teddy’s copy sported a pistol-gripped stock, a half-length magazine, and extensive engraving. When the famed Apache chief Geronimo was captured in 1886 he was carrying a Model 1876 Winchester.

The Cimarron Tom Horn Rifle

The Model 1876 from Cimarron is a splendid rendition of the gun used in the movie. Featuring a 28-inch octagonal barrel and a 49-inch overall length, this massive lever action tips the scales at just over ten pounds. The steel is blued, and the stocks are a deep stained walnut.

Cimarron Tom Horn Winchester 1876
Tom Horn’s signature is engraved across the side of the receiver of this Cimarron Model 1876 Winchester.

Tom Horn’s name is engraved across the receiver. In addition, a removable Marble tang rear sight affixes behind the action and perfectly replicates the setup in the movie.

While the actual hero gun used in the film was an original 1882 vintage Model 1876 firing .45-75 WCF — some sources state that this caliber was chosen by the movie production due to availability of .45-70 blanks which would work in the rifle. The Cimarron rifle runs .45-60 in keeping with the movie’s narrative.

Cimarron Tom Horn Winchester 1876The removable Marble tang sight is a spot-on replica of the one used in the film and gives the big gun plenty of character.

The Cimarron replica is absolutely gorgeous. The fit and finish are flawless, and the action runs like greased glass. At more than four feet long this gun projects authority. For anyone with an interest in period Western firearms the Tom Horn Centennial Model 1876 from Cimarron pegs the awesometer.

How Does She Run?

Cimarron Tom Horn Winchester 1876

The Tom Horn Model 1876 Centennial is a monster of a firearm. Just hefting the thing will bounce a guy’s serum testosterone up a few notches. The rounds are as big as your index finger, and the elegant angles exude a near-sensual vibe.

Lifting the rifle to your shoulder settles it in place like an old friend. The graceful curved buttplate locks into the human form, while the gentle drop orients the sights right where they should be. The big action runs smoothly and comfortably. However, it did take a few rounds before the action loosened up, and it must be run authoritatively. Lube the firing pin a bit for optimal reliability.

Cimarron Tom Horn Winchester 1876The massive action is designed to accommodate large-bore cartridges like the .45-60.

The rear sight is an adjustable ramp, but that’s not the one you’ll use. The Marble tang sight incorporates an aperture for precision and a vernier adjustment for range. The mechanism folds out of the way when it isn’t needed and slides free for storage.

The sight adjusts to compensate for the drop of those big fat lead bullets, but there are no graduations. A man running a rifle this awesome knows his iron well enough not to need them.

Cimarron Tom Horn Winchester 1876.45-60 ammunition is available, but be prepared to pay $50 – $80 for a box of 20.

The rounds are big, but the gun is bigger. That means the shooting experience remains recreational. This portly rifle rocks back under recoil and cycles as fast as the operator’s rheumatism might allow. The long heavy barrel keeps those big slugs nicely under control.

Cimarron Tom Horn Winchester 1876The Cimarron Model 1876 Winchester Tom Horn rifle hits like a freight train downrange. This fifty-yard group could likely be tighter with some younger eyes behind the gun.

Ancillary Iron

Sundry other characters wield Model 1892 Winchester rifles that are period correct for a movie set in 1903. Actor Slim Pickens’ character carries a long-barreled side-by-side 12-bore with exposed hammers. McQueen uses a similar coach gun liberated from a cattle rustler to put paid to another ne’er-do-well.

A variety of rustlers pack the obligatory Colt Single Action Army in several different configurations. Colonel Colt’s Peacemaker is the archetypal Western revolver. Cimarron offers a wide array of these iconic wheelguns.

Horn loses his favorite horse to a brigand armed with a heavy .44-caliber Colt Walker revolver. The Colt Walker was designed in 1846 as a collaborative effort between Texas Ranger Captain Samuel Hamilton Walker and Sam Colt. There were only 1,100 original guns produced, 1,000 of which went to the military. Sam Walker died wielding a brace of his eponymous revolvers while fighting in the Mexican-American War in 1847.

Cimarron Tom Horn Winchester 1876The .44-caliber Walker Colt was the most powerful handgun in the world in its day. (Wikipedia)

One of Horn’s adversaries wields a Smith and Wesson Model 3 Schofield revolver. This single action top-break wheelgun debuted in 1870 and was the first cartridge-firing handgun adopted by the US Army. Bob Ford used a Schofield Model 3 to kill Jesse James in 1882.

Déjà vu

Tom Horn bears a strange resemblance to my personal favorite Western, Quigley Down Under. In fact, Steve McQueen was initially approached about starring in Quigley in the 1970’s. The exigencies of show business intervened, and the movie was not made until 1990 with Tom Selleck and his Shiloh Sharps .45-110 rifle in the lead roles.

There is a pervasive melancholia about Tom Horn. McQueen’s character does some bad things, but he has a good heart. The viewer wants him to prevail.

However, the Cattleman’s Association, a timeless personification of faceless greed, ultimately takes his life unjustly. A special gallows was constructed that was activated by Horn’s own weight, no one in attendance being willing to throw the lever.

Cimarron Tom Horn Winchester 1876Tom Horn seems oddly similar to the Tom Selleck classic Quigley Down Under. (Moviestillsdb.com)

Tom Horn hit theaters in March of 1980. Steve McQueen died of malignant mesothelioma eight months later at age fifty. The cumulative effects of a terminal disease and McQueen’s Hollywood lifestyle were beginning to take a toll during the making of the film. This toxic combination likely contributed to the movie’s gritty edge.

Denouement

The historical Tom Horn, like the character in the movie, was a frontier Renaissance Man. He served as a civilian scout for the US Cavalry, a ranch owner, a Pinkerton detective, a deputy sheriff, and a “Range Detective.” In the latter role he was essentially a paid assassin who meted out frontier justice to cattle rustlers in exchange for a stipend for every dead outlaw he could produce.

Cimarron Tom Horn Winchester 1876

Tom Horn is a Hollywood classic coming at the end of the golden age of Western films. The movie is avail-able to stream for free on Vudu. (Moviestillsdb.com) (Moviestillsdb.com)

Unlike the film’s title character, the real Horn was more morally complex. He likely killed at least seventeen men, the first in a duel over a prostitute.

It was his conviction for the murder of a 14-year-old boy named Willie Nickell near Iron Mountain, Wyoming, for which he was hanged the day before his 43rd birthday.

The film was inspired by his autobiography The Life of Tom Horn: Government Scout and Interpreter as told by Himself that he wrote while in jail while awaiting execution.

Steve McQueen was in his time the highest paid actor in Hollywood, and he carries a gravitas to which other lesser actors still aspire. The tale of Tom Horn has all the elements of ruggedness, passion, and justice ill-served that make for a compelling Western. Tolerate a few commercials and you can catch it for free on Vudu.

Cimarron Tom Horn Winchester 1876

Cimarron Tom Horn Winchester 1876

  • Caliber: .45-60
  • Barrel Length: 28-inch octagon
  • Frame: Blued
  • Stocks: Walnut
  • Magazine Capacity: 11+1
  • Overall Length: 49 inches
  • Weight: 10.05 pounds
  • MSRP: $1,864.17
  • Contact: Cimarron Firearms, (877)-SIXGUN1, Cimarron-Firearms.com

An Interview with Actor Mel Novak

Firearms News Editor, Vincent DeNiro, asked me to reach out to his friend Mel Novak as he acted in the movie Tom Horn.

Mel Novak is the veteran of fifty-four movies. A legendary martial artist, he’s died twenty-three times on screen and worked alongside the likes of Yul Brynner, Isaac Hayes, Sybil Danning, and Chuck Norris. He fought Bruce Lee’s character to the death in Game of Death as “Stick” and lived to tell the tale. He was also a friend and spiritual mentor to Steve McQueen.

Mel’s real calling is to serve those society finds the most unlovely. An ordained minister, Mel has for more than thirty-six years led services in prisons and skid row areas reaching the homeless and the incarcerated for Christ.

Starting out with a stint playing professional baseball with the Pittsburgh Pirates, that was cut short by a severe shoulder injury, he has gone on to a long career in movies and along the way reached countless souls for Jesus.

Cimarron Tom Horn Winchester 1876A perennial villain in dozens of familiar action movies, martial arts legend Mel Novak has devoted his life to Christian ministry. (Wikipedia)

WD: Tell me something memorable about Steve McQueen. What was he really like up close?

MN: Steve was a real down-to-earth kind of guy. One day I was out trap shooting with Stephen Spielberg, Ken Hyman, and John Milius when up walks this guy with really long hair and a full beard.

Once I saw those bright blue eyes I realized it was Steve. This was maybe seven months before he died. I had first met Steve McQueen, through his karate instructor Pat Johnson, years before at a birthday party.

Coppola and Milius were making Apocalypse Now, and they wanted Steve to play the part of LTC Kilgore. They offered him $2 million on the spot for one week’s work in the Philippines, and he turned him down cold.

Steve didn’t have anything else going on at the time, but he just didn’t feel like leaving the country.

WD: Hard to imagine “Charlie don’t surf!” and “I love the smell of napalm in the morning!” coming from anybody but Robert Duvall, but apparently that was almost Steve McQueen. Share with us a memory about making the movie Tom Horn.

MN: The movie was already cast, but Steve fired the director Steve Guercia right after filming began. He got rid of several of the cast members and said he wanted me in the film. I got a call from the producer Fred Weintraub at 3pm telling me I needed to be on a plane for Arizona at six.

The next morning, I went through wardrobe and makeup but still had not seen a script. On the drive out to the set, they told me I was getting a different role with a lot of dialogue, and I still hadn’t seen any of it. As soon as I got there they were ready to shoot.

I said a quick prayer for help, and the new director announced unexpectedly that it was time for a lunch break. I skipped lunch and went back to my trailer to learn my lines. When it was all over Steve was happy with it.

Cimarron Tom Horn Winchester 1876Mel Novak was a friend and spiritual mentor to Steve McQueen. Here is seen on the movie set of Tom Horn. (Photo courtesy of Mel Novak)

WD: Tell us about Steve’s last months.

MN: He had a horrible cancer, but I know Steve McQueen is in glory with the Lord. Billy Graham went down to Mexico to meet with him. I was once giving him some scriptures and he told me,

“Mel, you sound just like my pastor.” We both laughed, and I said, “Well, Steve, we read the same book.” I was blessed to know him and to minister to him. He’s someone that you never forget.

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