“The visit of the Marquis de Lafayette to the U.S”, New York, July 14, 1825. 2nd Battalion, 2nd Regiment of Artillery, New York State Militia welcomes the visiting hero of the American Revolution Marquis de Lafayette.
To honor him on his day of departure home to France, the unit adopted the name “National Guard” in remembrance of the Garde National de Paris, once commanded by Lafayette during the early days of the French Revolution.
Taking note of the unit and its new name, Lafayette left his carriage and went down the line of troops clasping hands. It was this instance the the modern term of “National Guard” came from in the U.S. From the collection of the U.S. Army National Guard.
Other writers have had greater technical knowledge, hunted more, and helped develop new calibers and loads, but, when it comes to writing for the average shooter, 
Keith both despised and was the antithesis of O’Connor. He liked guns that had punch and produced lots of noise and recoil. While only marginally literate, he told gripping tales; shot a lot; and, with the help of excellent editors, garnered a huge following. The title of his autobiography, Hell, I Was There!, offers a window into his personality, while Sixguns and Big Game Rifles and Cartridges also merit attention. The little man in the big cowboy hat could be obstinate and ornery, but there’s no denying that he could entertain.
Likeable in print and the ultimate curmudgeon in person (the latter is by no means unique to Page among gun writers), he served as the shooting editor for Field & Stream for a quarter of a century, beginning in 1947, and helped develop the .243 Winchester. His two key books, One Man’s Wilderness and The Accurate Rifle, should be more widely read than they are today.
If you asked me which of the old-time gun writers I’d most like to have spent time with, “Townie” Whelen would win, hands down. He was the master of practicality, and every avid outdoorsman should read his On Your Own in The Wilderness (with Bradford Angier) and Mister Rifleman, an autobiographical work that Angier also helped complete. Whelen’s other books of note include The American Rifle, Big Game Hunting, Why Not Load Your Own!, The Best of Colonel Townsend Whelen, The Ultimate in Rifle Precision, and Amateur Gunsmithing. Perhaps no quotation by a gun writer has been repeated more frequently than his suggestion that “only accurate rifles are interesting.”
This name will likely be unfamiliar to many sportsmen, but, in the golden era of gun and hunting writers, Curtis was one of the best. For two decades, from the end of World War I until he committed suicide (an all-too-common occurrence among gun writers), Curtis was a major presence in national magazines. He wrote five books, but Guns and Gunning and Sporting Firearms of Today in Use are of the greatest interest.
Since Charles Askins, Sr. was a gun writer, as well, the two Askins are easily and often confused. However, the younger was more prolific than his father, though the latter wrote a first-rate book about shotguns. The best place to start with Askins, Jr. is Unrepentant Sinner, his autobiography. By all accounts he was a highly temperamental man, involved in shenanigans that would result in hard time today, but there’s no doubting his expertise in works such as The Art of Handgun Shooting, The Gunfighters, and The African Hunt.
Jordan was nowhere as prolific as the other writers on this list, but his first-hand experiences were in a class of their own; there may never have been a man faster with a handgun. His book, No Second Place Winner, has become a must-read for police-handgun enthusiasts, but you’ll need to dig up his magazine writings to really gain an appreciation for him. Someone could do his legacy and the shooting world a favor by anthologizing these pieces.
McIntosh is the only writer listed here whom I knew personally, as we were both longtime columnists for Sporting Classics. McIntosh wrote with grace and a distinctive style, and he really knew shotguns. Mind you, his interests and knowledge ranged widely, but posterity will likely remember him, first and foremost, as a shotgun writer. His major works include 
